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Percy Bysshe Shelley - Fiordispina [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Percy Bysshe Shelley
Album: The Complete Poetical Works Of Percy Bysshe Shelley Volume 2
Gatunek: Poetry

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Tekst piosenki

Published in part (lines 11-30) by Mrs. Shelley, "Posthumous Poems", 1824; in full (from the Boscombe manuscript) by Dr. Garnett, "Relics of Shelley", 1862.]

The season was the childhood of sweet June,
Whose sunny hours from morning until noon
Went creeping through the day with silent feet,
Each with its load of pleasure; slow yet sweet;
Like the long years of blest Eternity
Never to be developed. Joy to thee,
Fiordispina and thy Cosimo,
For thou the wonders of the depth canst know
Of this unfathomable flood of hours,
Sparkling beneath the heaven which embowers—

…

They were two cousins, almost like to twins,
Except that from the catalogue of sins
Nature had rased their love—which could not be
But by dissevering their nativity.
And so they grew together like two flowers _15
Upon one stem, which the same beams and showers
Lull or awaken in their purple prime,
Which the same hand will gather—the same clime
Shake with decay. This fair day smiles to see
All those who love—and who e'er loved like thee,
Fiordispina? Scarcely Cosimo,
Within whose bosom and whose brain now glow
The ardours of a vision which obscure
The very idol of its portraiture.
He faints, dissolved into a sea of love;
But thou art as a planet sphered above;
But thou art Love itself—ruling the motion
Of his subjected spirit: such emotion
Must end in sin and sorrow, if sweet May
Had not brought forth this morn—your wedding-day.
…

'Lie there; sleep awhile in your own dew,
Ye faint-eyed children of the … Hours,'
Fiordispina said, and threw the flowers
Which she had from the breathing—
…

A table near of polished porphyry.
They seemed to wear a beauty from the eye
That looked on them—a fragrance from the touch
Whose warmth … checked their life; a light such
As sleepers wear, lulled by the voice they love, which did reprove
The childish pity that she felt for them,
And a … remorse that from their stem
She had divided such fair shapes … made
A feeling in the … which was a shade
Of gentle beauty on the flowers: there lay
All gems that make the earth's dark bosom gay.
… rods of myrtle-buds and lemon-blooms,
And that leaf tinted lightly which assumes
The livery of unremembered snow—
Violets whose eyes have drunk—

…

Fiordispina and her nurse are now
Upon the steps of the high portico,
Under the withered arm of Media
She flings her glowing arm

…

… step by step and stair by stair,
That withered woman, gray and white and brown—
More like a trunk by lichens overgrown
Than anything which once could have been human.
And ever as she goes the palsied woman

…

'How slow and painfully you seem to walk,
Poor Media! you tire yourself with talk.'
'And well it may,
Fiordispina, dearest—well-a-day!
You are hastening to a marriage-bed;
I to the grave!'—'And if my love were dead,
Unless my heart deceives me, I would lie
Beside him in my shroud as willingly
As now in the gay night-dress Lilla wrought.'
'Fie, child! Let that unseasonable thought
Not be remembered till it snows in June;
Such fancies are a music out of tune
With the sweet dance your heart must keep to-night.
What! would you take all beauty and delight
Back to the Paradise from which you sprung,
And leave to grosser mortals?— _75
And say, sweet lamb, would you not learn the sweet
And subtle mystery by which spirits meet?
Who knows whether the loving game is played,
When, once of mortal [vesture] disarrayed,
The naked soul goes wandering here and there
Through the wide deserts of Elysian air?
The violet dies not till it'—

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Komentarze

Utwory na albumie The Complete Poetical Works Of Percy Bysshe Shelley Volume 2

Ozymandias

Similes For Two Political Characters Of 1819

To A Skylark

To Emilia Viviani

On The Medusa Of Leonardo Da Vinci In The Florentine Gallery

Ginevra

Sonnet (Lift not the painted veil...)

Ode to the West Wind

Stanzas.—April, 1814

10.

To Sophia [Miss Stacey]

11.

Hymn Of Pan

12.

Mutability II (The flower that smiles today...)

13.

Lines Written On Hearing The News Of The Death Of Napoleon

14.

Love's Philosophy

15.

On Death

16.

The Indian Serenade

17.

To Constantia, Singing

18.

An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty

19.

Sonnet To Byron

20.

Sonnet: Political Greatness

21.

Arethusa

22.

Song To The Men Of England

23.

Fragment: 'The Rude Wind Is Singing'

24.

To William Shelley

25.

Lines Written In The Bay Of Lerici

26.

Stanza, Written At Bracknell

27.

Stanzas Written In Dejection, Near Naples

28.

Lines: 'The Cold Earth Slept Below'

29.

The Sensitive Plant Part II

30.

The Aziola

31.

Stanzas 1 And 2

32.

An Exhortation

33.

Music

34.

Lines Written Among The Euganean Hills

35.

The Sensitive Plant Part III

36.

The Zucca

37.

From The Arabic: An Imitation

38.

Fragment: 'Alas! This Is Not What I Thought Life Was'

39.

Variation Of The Song Of The Moon

40.

Fragment On Keats

41.

To The Moon

42.

To William Shelley III

43.

Hymn Of Apollo

44.

To Night

45.

Mutability

46.

To-Morrow

47.

Song Of Proserpine While Gathering Flowers On The Plain Of Enna

48.

An Allegory

49.

Ode To Naples (Antistrophe 2a)

50.

Fragment: 'O Thou Immortal Deity'

51.

Lines Written During The Castlereagh Administration

52.

The Two Spirits: An Allegory

53.

Hymn To Intellectual Beauty

54.

Fragment: The Vine-Shroud

55.

Love, Hope, Desire, And Fear

56.

Fragment: "Amor Aeternus"

57.

On Fanny Godwin

58.

A Fragment: To Music

59.

A Lament

60.

'Mighty Eagle'

61.

Fragment: 'And That I Walk Thus Proudly Crowned'

62.

Ode To Naples (Epode 1b)

63.

Ode To Naples (Epode 2a)

64.

Ode To Naples (Epode 2b)

65.

Fragment: 'When Soft Winds And Sunny Skies'

66.

Fragments Written For Hellas

67.

Fragment: To The Moon

68.

Fragment: 'The Death Knell Is Ringing'

69.

Ode To Naples (Strophe 1)

70.

Song

71.

A Vision Of The Sea

72.

To —. 'Oh! There are Spirits of The Air'

73.

Fragment: To Byron

74.

Ode To Naples (Antistrophe 1a)

75.

Evening: Ponte Al Mare, Pisa

76.

The Magnetic Lady To Her Patient

77.

Summer And Winter

78.

Fragment Of A Satire On Satire

79.

Lines To A Critic

80.

Buona Notte

81.

Fragment: 'Follow To The Deep Wood's Weeds'

82.

To Mary Shelley

83.

Ode To Naples (Antistrophe 2b)

84.

To Mary Wollstonecraft Godwin

85.

Fragment: Satan Broken Loose

86.

Ode To Naples (Antistrophe 1b)

87.

To Harriet

88.

Ode To Liberty

89.

Ode To Naples (Strophe 2)

90.

Liberty

91.

Fragment: Pater Omnipotens

92.

With A Guitar, To Jane

93.

A Summer Evening Churchyard

94.

Ode To Naples (Epode 1a)

95.

Orpheus

96.

To Edward Williams

97.

Song For 'Tasso'

98.

The Woodman And The Nightingale

99.

Lines: 'We Meet Not As We Parted'

100.

Fragment: Rain

101.

Lines: 'When The Lamp Is Shattered'

102.

Fragment: The Lady Of The South

103.

'O That A Chariot Of Cloud Were Mine'

104.

Dirge For The Year

105.

Time

106.

Lines: 'That Time is Dead For Ever'

107.

Fragment: Apostrophe To Silence

108.

The Pine Forest Of The Cascine Near Pisa

109.

Fragment: A Wanderer

110.

Fragment: To A Friend Released From Prison

111.

The Sunset

112.

Scene From 'Tasso'

113.

Fragment: The Lake's Margin

114.

Fragment: Sufficient Unto The Day

115.

Fragment: Life Rounded With Sleep

116.

Marianne's Dream

117.

To —.' Yet Look On Me.'

118.

To Mary Shelley II

119.

Fiordispina

120.

Fragment: Death In Life

121.

The Boat On The Serchio

122.

Lines To A Reviewer

123.

Fragment: 'I Would Not Be A King'

124.

Fragment: To One Singing

125.

The Past

126.

The Question

127.

Fragment: Love The Universe To-Day

128.

Fragment: Music And Sweet Poetry

129.

Invocation To Misery

130.

Fragment: 'Great Spirit'

131.

Fragment: The False Laurel And The True

132.

To Jane: The Recollection

133.

Cancelled Passage

134.

Fragment: Wedded Souls

135.

Fragment: Zephyrus The Awakener

136.

Passage Of The Apennines

137.

Fragment: The Deserts Of Dim Sleep

138.

To The Lord Chancellor

139.

Fragment: Home

140.

Cancelled Stanza

141.

Epithalamium

142.

Fragment: Beauty's Halo

143.

Fragment: 'I Stood Upon A Heaven-Cleaving Turret'

144.

The Fugitives

145.

The Cloud

146.

To William Shelley II

147.

The Waning Moon

148.

Time Long Past

149.

Fragment: Thoughts Come And Go In Solitude

150.

Fragment: To The People Of England

151.

To Constantia

152.

Fragments Supposed To Be Parts Of Otho

153.

To Jane: The Invitation

154.

A Hate-Song

155.

Fragment: 'Unrisen Splendour Of The Brightest Sun'

156.

The Isle

157.

Otho

158.

Fragment: 'Methought I Was A Billow In The Crowd'

159.

The Birth Of Pleasure

160.

Fragment: To The Mind Of Man

161.

Marenghi

162.

Death

163.

Fragment: A Serpent-Face

164.

The Sensitive Plant Part I

165.

Fragment: 'Such Hope, As Is The Sick Despair Of Good'

166.

Fragment: 'The Viewless And Invisible Consequence'

167.

The Tower Of Famine

168.

Fragment: "Igniculus Desiderii"

169.

To The Nile

170.

Fragment: 'My Head Is Wild With Weeping'

171.

On A Faded Violet

172.

Fragment: 'A Gentle Story Of Two Lovers Young'

173.

Autumn: A Dirge

174.

The World's Wanderers

175.

Epitaph

176.

From The Original Draft Of The Poem To William Shelley

177.

Another Fragment: To Music

178.

Remembrance

179.

Fragment: May The Limner

180.

Fragment: 'Ye Gentle Visitations Of Calm Thought'

181.

National Anthem

182.

To Jane: 'The Keen Stars Were Twinkling'

183.

Good-Night

184.

Fragment: 'I Faint, I Perish With My Love!'

185.

To Mary —

186.

Fragment: Love's Tender Atmosphere

187.

Fragment: Milton's Spirit

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