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Percy Bysshe Shelley - The Woodman And The Nightingale [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Percy Bysshe Shelley
Album: The Complete Poetical Works Of Percy Bysshe Shelley Volume 2
Gatunek: Poetry

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Tekst piosenki

[Published in part (1-67) by Mrs. Shelley, "Posthumous Poems", 1824; the remainder (68-70) by Dr. Garnett, "Relics of Shelley", 1862.]

A woodman whose rough heart was out of tune
(I think such hearts yet never came to good)
Hated to hear, under the stars or moon,

One nightingale in an interfluous wood
Satiate the hungry dark with melody;—
And as a vale is watered by a flood,

Or as the moonlight fills the open sky
Struggling with darkness—as a tuberose
Peoples some Indian dell with scents which lie

Like clouds above the flower from which they rose,
The singing of that happy nightingale
In this sweet forest, from the golden close

Of evening till the star of dawn may fail,
Was interfused upon the silentness;
The folded roses and the violets pale

Heard her within their slumbers, the abyss
Of heaven with all its planets; the dull ear
Of the night-cradled earth; the loneliness

Of the circumfluous waters,—every sphere
And every flower and beam and cloud and wave,
And every wind of the mute atmosphere,

And every beast stretched in its rugged cave,
And every bird lulled on its mossy bough,
And every silver moth fresh from the grave

Which is its cradle—ever from below
Aspiring like one who loves too fair, too far,
To be consumed within the purest glow

Of one serene and unapproached star,
As if it were a lamp of earthly light,
Unconscious, as some human lovers are,

Itself how low, how high beyond all height
The heaven where it would perish!—and every form
That worshipped in the temple of the night

Was awed into delight, and by the charm
Girt as with an interminable zone,
Whilst that sweet bird, whose music was a storm

Of sound, shook forth the dull oblivion
Out of their dreams; harmony became love
In every soul but one.

…

And so this man returned with axe and saw _40
At evening close from killing the tall treen,
The soul of whom by Nature's gentle law

Was each a wood-nymph, and kept ever green
The pavement and the roof of the wild copse,
Chequering the sunlight of the blue serene

With jagged leaves,—and from the forest tops
Singing the winds to sleep—or weeping oft
Fast showers of aereal water-drops

Into their mother's bosom, sweet and soft,
Nature's pure tears which have no bitterness;—
Around the cradles of the birds aloft

They spread themselves into the loveliness
Of fan-like leaves, and over pallid flowers
Hang like moist clouds:—or, where high branches kiss,

Make a green space among the silent bowers,
Like a vast fane in a metropolis,
Surrounded by the columns and the towers

All overwrought with branch-like traceries
In which there is religion—and the mute
Persuasion of unkindled melodies,

Odours and gleams and murmurs, which the lute
Of the blind pilot-spirit of the blast
Stirs as it sails, now grave and now acute,

Wakening the leaves and waves, ere it has passed
To such brief unison as on the brain
One tone, which never can recur, has cast,
One accent never to return again.

…

The world is full of Woodmen who expel
Love's gentle Dryads from the haunts of life,
And vex the nightingales in every dell.

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Komentarze

Utwory na albumie The Complete Poetical Works Of Percy Bysshe Shelley Volume 2

1.

Ozymandias

2.

Similes For Two Political Characters Of 1819

3.

To Emilia Viviani

4.

To A Skylark

5.

Ginevra

6.

On The Medusa Of Leonardo Da Vinci In The Florentine Gallery

7.

Sonnet (Lift not the painted veil...)

8.

Ode to the West Wind

9.

Stanzas.—April, 1814

10.

Hymn Of Pan

11.

To Sophia [Miss Stacey]

12.

Lines Written On Hearing The News Of The Death Of Napoleon

13.

Mutability II (The flower that smiles today...)

14.

Love's Philosophy

15.

On Death

16.

To Constantia, Singing

17.

The Indian Serenade

18.

An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty

19.

Sonnet: Political Greatness

20.

Sonnet To Byron

21.

Arethusa

22.

Song To The Men Of England

23.

Fragment: 'The Rude Wind Is Singing'

24.

Lines Written In The Bay Of Lerici

25.

To William Shelley

26.

Stanza, Written At Bracknell

27.

Lines: 'The Cold Earth Slept Below'

28.

Stanzas Written In Dejection, Near Naples

29.

The Sensitive Plant Part II

30.

The Aziola

31.

Stanzas 1 And 2

32.

An Exhortation

33.

Music

34.

The Zucca

35.

Lines Written Among The Euganean Hills

36.

Fragment: 'Alas! This Is Not What I Thought Life Was'

37.

From The Arabic: An Imitation

38.

The Sensitive Plant Part III

39.

Fragment On Keats

40.

Variation Of The Song Of The Moon

41.

To William Shelley III

42.

Song Of Proserpine While Gathering Flowers On The Plain Of Enna

43.

An Allegory

44.

To Night

45.

Hymn Of Apollo

46.

Fragment: 'O Thou Immortal Deity'

47.

To The Moon

48.

To-Morrow

49.

The Two Spirits: An Allegory

50.

On Fanny Godwin

51.

Lines Written During The Castlereagh Administration

52.

Love, Hope, Desire, And Fear

53.

Fragment: "Amor Aeternus"

54.

Ode To Naples (Antistrophe 2a)

55.

Fragment: The Vine-Shroud

56.

A Lament

57.

'Mighty Eagle'

58.

Ode To Naples (Epode 2a)

59.

Hymn To Intellectual Beauty

60.

Ode To Naples (Epode 2b)

61.

Fragments Written For Hellas

62.

A Fragment: To Music

63.

Mutability

64.

Fragment: 'When Soft Winds And Sunny Skies'

65.

Evening: Ponte Al Mare, Pisa

66.

Fragment: 'And That I Walk Thus Proudly Crowned'

67.

Ode To Naples (Epode 1b)

68.

Fragment: 'The Death Knell Is Ringing'

69.

Fragment: To The Moon

70.

A Vision Of The Sea

71.

Song

72.

Ode To Naples (Strophe 1)

73.

Fragment: To Byron

74.

To —. 'Oh! There are Spirits of The Air'

75.

To Mary Shelley

76.

Ode To Naples (Antistrophe 1a)

77.

Ode To Naples (Antistrophe 2b)

78.

Fragment Of A Satire On Satire

79.

The Magnetic Lady To Her Patient

80.

To Mary Wollstonecraft Godwin

81.

Lines To A Critic

82.

Buona Notte

83.

Fragment: Satan Broken Loose

84.

Fragment: 'Follow To The Deep Wood's Weeds'

85.

To Harriet

86.

Summer And Winter

87.

Ode To Naples (Strophe 2)

88.

With A Guitar, To Jane

89.

Ode To Naples (Antistrophe 1b)

90.

Song For 'Tasso'

91.

A Summer Evening Churchyard

92.

Liberty

93.

Ode To Naples (Epode 1a)

94.

Lines: 'We Meet Not As We Parted'

95.

Lines: 'When The Lamp Is Shattered'

96.

Ode To Liberty

97.

Orpheus

98.

Fragment: Pater Omnipotens

99.

Fragment: Rain

100.

Fragment: The Lady Of The South

101.

'O That A Chariot Of Cloud Were Mine'

102.

Time

103.

To Edward Williams

104.

Dirge For The Year

105.

Fragment: To A Friend Released From Prison

106.

Fragment: The Lake's Margin

107.

Lines: 'That Time is Dead For Ever'

108.

Fragment: Apostrophe To Silence

109.

Fragment: A Wanderer

110.

The Woodman And The Nightingale

111.

Scene From 'Tasso'

112.

Marianne's Dream

113.

The Sunset

114.

Fiordispina

115.

Fragment: Life Rounded With Sleep

116.

Fragment: Sufficient Unto The Day

117.

The Pine Forest Of The Cascine Near Pisa

118.

To —.' Yet Look On Me.'

119.

To Mary Shelley II

120.

The Boat On The Serchio

121.

The Past

122.

Fragment: Music And Sweet Poetry

123.

The Question

124.

Fragment: Death In Life

125.

Lines To A Reviewer

126.

Fragment: To One Singing

127.

Fragment: Zephyrus The Awakener

128.

To Jane: The Recollection

129.

Fragment: Beauty's Halo

130.

Fragment: 'I Stood Upon A Heaven-Cleaving Turret'

131.

The Cloud

132.

Epithalamium

133.

Passage Of The Apennines

134.

Fragment: 'Great Spirit'

135.

The Fugitives

136.

Cancelled Passage

137.

Fragment: Love The Universe To-Day

138.

Fragment: Home

139.

Fragment: The False Laurel And The True

140.

Cancelled Stanza

141.

Invocation To Misery

142.

To The Lord Chancellor

143.

To William Shelley II

144.

Fragment: The Deserts Of Dim Sleep

145.

Fragment: Wedded Souls

146.

The Waning Moon

147.

The Isle

148.

Time Long Past

149.

To Constantia

150.

Fragments Supposed To Be Parts Of Otho

151.

Fragment: Thoughts Come And Go In Solitude

152.

Fragment: To The People Of England

153.

Otho

154.

A Hate-Song

155.

Fragment: 'I Would Not Be A King'

156.

Fragment: 'Unrisen Splendour Of The Brightest Sun'

157.

To Jane: The Invitation

158.

Fragment: 'Methought I Was A Billow In The Crowd'

159.

Death

160.

The Sensitive Plant Part I

161.

Marenghi

162.

The Birth Of Pleasure

163.

Fragment: To The Mind Of Man

164.

Fragment: 'Such Hope, As Is The Sick Despair Of Good'

165.

Fragment: A Serpent-Face

166.

The Tower Of Famine

167.

To The Nile

168.

Fragment: 'The Viewless And Invisible Consequence'

169.

Fragment: 'My Head Is Wild With Weeping'

170.

Fragment: "Igniculus Desiderii"

171.

Fragment: 'A Gentle Story Of Two Lovers Young'

172.

On A Faded Violet

173.

Autumn: A Dirge

174.

The World's Wanderers

175.

Another Fragment: To Music

176.

Remembrance

177.

Fragment: May The Limner

178.

From The Original Draft Of The Poem To William Shelley

179.

Fragment: 'Ye Gentle Visitations Of Calm Thought'

180.

Epitaph

181.

National Anthem

182.

Good-Night

183.

To Jane: 'The Keen Stars Were Twinkling'

184.

Fragment: 'I Faint, I Perish With My Love!'

185.

Fragment: Love's Tender Atmosphere

186.

To Mary —

187.

Fragment: Milton's Spirit

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