Letting herself breathe easy now, Pecola covered her head with the quilt. The sick feeling, which she had tried to prevent by holding in her stomach, came quickly in spite of her precaution there surged in her the desire to heave, but as always, she knew she would not.
"Please, God," she whispered into the palm of her hand. "Please make me disappear." She squeezed her eyes shut. Little parts of her body faded away. Now slowly, now with a rush. Slowly again. Her fingers went, one by one; then her arms disappeared all the way to the elbow. Her feet now. Yes, that was good. The legs all at once. It was hardest above the thighs. She had to be real still and pull. Her stomach would not go. But finally it, too, went away. Then her chest, her neck. The face was hard, too. Almost done, almost. Only her tight, tight eyes were left. They were always left.
Try as she might, she could never get her eyes to disappear. So what was the point? They were everything. Everything was there, in them. All of those pictures, all of those faces. She had long ago given up the idea of running away to see new pictures, new faces, as Sammy had so often done. He never took her, and he never thought about his going ahead of time, so it was never planned. It wouldn't have worked anyway. As long as she looked the way she did, as long as she was ugly, she would have to stay with these people. Somehow she belonged to them. Long hours she sat looking in the mirror, trying to discover the secret of the ugliness, the ugliness that made her ignored or despised at school, by teachers and classmates alike. She was the only member of her class who sat alone at a double desk. The first letter of her last name forced her to sit in the front of the room always. But what about Marie Appolonaire? Marie was in front of her, but she shared a desk with Luke Angelino. Her teachers had always treated her this way. They tried never to glance at her, and called on her only when everyone was required to respond. She also knew that when one of the girls at school wanted to be particularly insulting to a boy, or wanted to get an immediate response from him, she could say, "Bobby loves Pecola Breedlove! Bobby loves Pecola Breedlove!" and never fail to get peals of laughter from those in earshot, and mock anger from the accused.
It had occurred to Pecola some time ago that if her eyes, those eyes that held the pictures, and knew the sights--if those eyes of hers were different, that is to say, beautiful, she herself would be different. Her teeth were good, and at least her nose was not big and flat like some of those who were thought so cute. If she looked different, beautiful, maybe Cholly would be different, and Mrs. Breedlove too. Maybe they'd say, "Why, look at pretty-eyed Pecola. We mustn't do bad things in front of those pretty eyes."
Pretty eyes. Pretty blue eyes. Big blue pretty eyes. Run, Jip run. Jip runs, Alice runs. Alice has blue eyes. Jerry has blue eyes. Jerry runs. Alice runs. They run with their blue eyes. Four blue eyes. Four pretty blue eyes. Blue-sky eyes blue--like Mrs. Forrest's blue blouse eyes morning-glory-blue-eyes. Alice-and-Jerry-blue-storybook-eyes.
Each night, without fail, she prayed for blue eyes. Fervently for a year she had prayed. Although somewhat discouraged, she was not without hope. To have something as wonderful as that happen would take a long, long time. Thrown, in this way, into the binding conviction that only a miracle could relieve her, she would never know her beauty. She would see only what there was to see: the eyes of other people.
She walks down Garden Avenue to a small grocery store which sells penny candy. Three pennies are in her shoe--slipping back and forth between the sock and the inner sole. With each step she feels the painful press of the coins against her foot. A sweet, endurable, even cherished irritation full of promise and delicate security. There is plenty of time to consider what to buy. Now, however, she moves down an avenue gently buffeted by the familiar and therefore loved images. The dandelions at the base of the telephone pole.Why, she wonders do people call them weeds? She thought they were pretty. But grownups say, "Miss Dunion keeps her yard so nice. Not a dandelion anywhere." Hunkie women in black babushkas go into the fields with baskets to pull them up. But they do not want the yellow heads--only the jagged leaves. They make dandelion soup dandelion wine. Nobody loves the head of a dandelion. Maybe because they are so many, strong, and soon. There was the sidewalk crack shaped like a Y, and the other one that lifted the concrete up from the dirt floor. Frequently her sloughing step had made her trip over that one. Skates would go well over this sidewalk--old it was, and smooth; it made the wheels glide evenly, with a mild whirr. The newly paved walks were bumpy and uncomfortable, and the sound of skate wheels on new walks was grating. These and other inanimate things she saw and experienced. They were real to her. She knew them. They were the codes and touchstones of the world, capable of translation and possession. She owned the crack that made her stumble; she owned the clumps of dandelions whose white heads, last fall, she had blown away; whose yellow heads, this fall, she peered into. And owning them made her part of the world, and the world a part of her.
