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Victor Hugo - "A Centenarian Aspirant" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 18: The Great Bourgeois
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Tekst piosenki

He had taken prizes in his boyhood at the College of Moulins, where he was born, and he had been crowned by the hand of the Duc de Nivernais, whom he called the Duc de Nevers. Neither the Convention, nor the death of Louis XVI., nor the Napoleon, nor the return of the Bourbons, nor anything else had been able to efface the memory of this crowning. The Duc de Nevers was, in his eyes, the great figure of the century. "What a charming grand seigneur," he said, "and what a fine air he had with his blue ribbon!"
In the eyes of M. Gillenormand, Catherine the Second had made reparation for the crime of the partition of Poland by purchasing, for three thousand roubles, the secret of the elixir of gold, from Bestucheff. He grew animated on this subject: "The elixir of gold," he exclaimed, "the yellow dye of Bestucheff, General Lamotte's drops, in the eighteenth century,—this was the great remedy for the catastrophes of love, the panacea against Venus, at one louis the half-ounce phial. Louis XV. sent two hundred phials of it to the Pope." He would have been greatly irritated and thrown off his balance, had any one told him that the elixir of gold is nothing but the perchloride of iron. M. Gillenormand adored the Bourbons, and had a horror of 1789; he was forever narrating in what manner he had saved himself during the Terror, and how he had been obliged to display a vast deal of gayety and cleverness in order to escape having his head cut off. If any young man ventured to pronounce an eulogium on the Republic in his presence, he turned purple and grew so angry that he was on the point of swooning. He sometimes alluded to his ninety years, and said, "I hope that I shall not see ninety-three twice." On these occasions, he hinted to people that he meant to live to be a hundred.

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Utwory na albumie Les Misérables
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"Jean Valjean"
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"Four and Four"
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"Austerities"
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"Requiescant"
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"To Scoff, To Reign"
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"Quadrifrons"
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"Prayer"
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"A Recrudescence of Divine Right"
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"Ecce Paris, Ecce Homo"
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"M. Mabeuf"
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"The Man Aroused"
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"Two Complete Portraits"
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"Thenardier and His Manoeuvres"
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"Well Cut"
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"Javert Satisfied"
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"The Guard"
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"Vague Flashes on the Horizon"
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"Father Fauchelevent"
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"Madame Victurnien Expends Thirty Francs on Morality"
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"Marius Indigent"
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"The Evening of a Day of Walking"
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"A Centenarian Aspirant"
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"On What Conditions One Can Respect the Past"
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"The Utility of Going to Mass, In Order to Become a Revolutionist"
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"Forms Assumed By Suffering During Sleep"
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"A Bit of History"
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"One of the Red Spectres of That Epoch"
487
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"The Use Made of Marius' Five-Franc Piece"
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"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"
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"A Bad Guide to Napoleon; A Good Guide to Bulow"
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"Entrance on the Scene of a Doll"
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"The Absolute Goodness of Prayer"
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"Two Do Not Make a Pair"
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"A Hard Bishopric for a Good Bishop"
484
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"He Who Seeks to Better Himself May Render His Situation Worse"
483
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"Jondrette Comes Near Weeping"
482
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"The Solution of Some Questions Connected with the Municipal Police"
482
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"He May Be of Use"
481
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"The Use Made of M. LeBlanc's Five-Franc Piece"
479
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"Beginning of a Great Malady"
479
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"Details Concerning the Cheese-Dairies of Pontarlier"
479
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"Continuation of the Enigma"
476
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"In What Mirror M. Madeleine Contemplates His Hair"
474
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"Some Silhouettes of This Darkness"
473
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"Marius' Two Chairs From a Vis-a-Vis"
472
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470
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469
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469
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"Number 62 Rue Petit-Picpus"
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