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Victor Hugo - "A Nest for Owl and a Warbler" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 12: The Gorbeau Hovel
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Tekst piosenki

It was in front of this Gorbeau house that Jean Valjean halted. Like wild birds, he had chosen this desert place to construct his nest.
He fumbled in his waistcoat pocket, drew out a sort of a pass-key, opened the door, entered, closed it again carefully, and ascended the staircase, still carrying Cosette.
At the top of the stairs he drew from his pocket another key, with which he opened another door. The chamber which he entered, and which he closed again instantly, was a kind of moderately spacious attic, furnished with a mattress laid on the floor, a table, and several chairs; a stove in which a fire was burning, and whose embers were visible, stood in one corner. A lantern on the boulevard cast a vague light into this poor room. At the extreme end there was a dressing-room with a folding bed; Jean Valjean carried the child to this bed and laid her down there without waking her.
He struck a match and lighted a candle. All this was prepared beforehand on the table, and, as he had done on the previous evening, he began to scrutinize Cosette's face with a gaze full of ecstasy, in which the expression of kindness and tenderness almost amounted to aberration. The little girl, with that tranquil confidence which belongs only to extreme strength and extreme weakness, had fallen asleep without knowing with whom she was, and continued to sleep without knowing where she was.
Jean Valjean bent down and kissed that child's hand.
Nine months before he had kissed the hand of the mother, who had also just fallen asleep.
The same sad, piercing, religious sentiment filled his heart.
He knelt beside Cosette's bed.
lt was broad daylight, and the child still slept. A wan ray of the December sun penetrated the window of the attic and lay upon the ceiling in long threads of light and shade. All at once a heavily laden carrier's cart, which was passing along the boulevard, shook the frail bed, like a clap of thunder, and made it quiver from top to bottom.
"Yes, madame!" cried Cosette, waking with a start, "here I am! here I am!"
And she sprang out of bed, her eyes still half shut with the heaviness of sleep, extending her arms towards the corner of the wall.
"Ah! mon Dieu, my broom!" said she.
She opened her eyes wide now, and beheld the smiling countenance of Jean Valjean.
"Ah! so it is true!" said the child. "Good morning, Monsieur."
Children accept joy and happiness instantly and familiarly, being themselves by nature joy and happiness.
Cosette caught sight of Catherine at the foot of her bed, and took possession of her, and, as she played, she put a hundred questions to Jean Valjean. Where was she? Was Paris very large? Was Madame Thenardier very far away? Was she to go back? etc., etc. All at once she exclaimed, "How pretty it is here!"
It was a frightful hole, but she felt free.
"Must I sweep?" she resumed at last.
"Play!" said Jean Valjean.
The day passed thus. Cosette, without troubling herself to understand anything, was inexpressibly happy with that doll and that kind man.

Tłumaczenie piosenki

Nikt nie dodał jeszcze tłumaczenia do tej piosenki. Bądź pierwszy!
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Interpretacja piosenki

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Utwory na albumie Les Misérables
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"Jean Valjean"
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"The Lark"
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"Requiescant"
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"Four and Four"
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"Austerities"
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"Madeleine"
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"Little Gervais"
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"The Old Soul of Gaul"
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"The Guard"
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"M. Mabeuf"
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"Thenardier and His Manoeuvres"
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"Faith, Law"
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"The Man Aroused"
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"Father Fauchelevent"
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"Well Cut"
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"Javert Satisfied"
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"Four O'Clock in the Afternoon"
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"Cracks Beneath the Foundation"
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"The Little One Who Was Crying in Volume Two"
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"The Lowest Depths"
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"Some of his Particular Characteristics"
493
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"End of the Petit-Picpus"
492
188.
"The Battle-Field at Night"
490
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"Precautions to be Observed in Blame"
490
190.
"Madame Victurnien Expends Thirty Francs on Morality"
489
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"Tholomyes is So Merry That He Sings a Spanish Ditty"
488
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"Is Waterloo to be Considered Good?"
488
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"The Enigma Becomes Doubly Mysterious"
488
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"Jondrette Makes His Purchases"
487
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"A Five-Franc Piece Falls on the Ground and Produces a Tumult"
487
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"The Utility of Going to Mass, In Order to Become a Revolutionist"
486
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"The Evening of a Day of Walking"
486
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"Authority Reasserts Its Rights"
486
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"On What Conditions One Can Respect the Past"
486
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"Marius Indigent"
484
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"Forms Assumed By Suffering During Sleep"
484
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"One of the Red Spectres of That Epoch"
483
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"The Absolute Goodness of Prayer"
482
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"The Use Made of Marius' Five-Franc Piece"
481
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"Two Do Not Make a Pair"
481
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"A Centenarian Aspirant"
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"A Hard Bishopric for a Good Bishop"
481
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"He Who Seeks to Better Himself May Render His Situation Worse"
480
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480
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"A Bit of History"
480
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"A Bad Guide to Napoleon; A Good Guide to Bulow"
479
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"Entrance on the Scene of a Doll"
479
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"The Solution of Some Questions Connected with the Municipal Police"
478
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"Jondrette Comes Near Weeping"
476
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"He May Be of Use"
476
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"The Use Made of M. LeBlanc's Five-Franc Piece"
473
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"Beginning of a Great Malady"
472
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"Some Silhouettes of This Darkness"
471
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"Continuation of the Enigma"
470
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"Details Concerning the Cheese-Dairies of Pontarlier"
470
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"In What Mirror M. Madeleine Contemplates His Hair"
468
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"Marius' Two Chairs From a Vis-a-Vis"
467
223.
"The Zigzags of Strategy"
466
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"Like Master, Like House"
462
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"A Nest for Owl and a Warbler"
462
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"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"
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"The Convent as an Abstract Idea"
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"Number 62 Rue Petit-Picpus"
458
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"Adventures of the Letter U Delivered Over to Conjectures"
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