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Victor Hugo - "Like Master, Like House" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 18: The Great Bourgeois
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Tekst piosenki

He lived in the Marais, Rue des Filles-du-Calvaire, No. 6. He owned the house. This house has since been demolished and rebuilt, and the number has probably been changed in those revolutions of numeration which the streets of Paris undergo. He occupied an ancient and vast apartment on the first floor, between street and gardens, furnished to the very ceilings with great Gobelins and Beauvais tapestries representing pastoral scenes; the subjects of the ceilings and the panels were repeated in miniature on the arm-chairs. He enveloped his bed in a vast, nine-leaved screen of Coromandel lacquer. Long, full curtains hung from the windows, and formed great, broken folds that were very magnificent. The garden situated immediately under his windows was attached to that one of them which formed the angle, by means of a staircase twelve or fifteen steps long, which the old gentleman ascended and descended with great agility. In addition to a library adjoining his chamber, he had a boudoir of which he thought a great deal, a gallant and elegant retreat, with magnificent hangings of straw, with a pattern of flowers and fleurs-de-lys made on the galleys of Louis XIV. and ordered of his convicts by M. de Vivonne for his mistress. M. Gillenormand had inherited it from a grim maternal great-aunt, who had died a centenarian. He had had two wives. His manners were something between those of the courtier, which he had never been, and the lawyer, which he might have been. He was gay, and caressing when he had a mind. In his youth he had been one of those men who are always deceived by their wives and never by their mistresses, because they are, at the same time, the most sullen of husbands and the most charming of lovers in existence. He was a connoisseur of painting. He had in his chamber a marvellous portrait of no one knows whom, painted by Jordaens, executed with great dashes of the brush, with millions of details, in a confused and hap-hazard manner. M. Gillenormand's attire was not the habit of Louis XIV. nor yet that of Louis XVI.; it was that of the Incroyables of the Directory. He had thought himself young up to that period and had followed the fashions. His coat was of light-weight cloth with voluminous revers, a long swallow-tail and large steel buttons. With this he wore knee-breeches and buckle shoes. He always thrust his hands into his fobs. He said authoritatively: "The French Revolution is a heap of blackguards."

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Utwory na albumie Les Misérables
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"Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster"
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"Lux Facta Est"
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"The Unpleasantness of Receiving Into One's House A Poor Man Who May Be a Rich Man"
726
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"Cambronne"
717
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"Treasure Trove"
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"The Little Convent"
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"A Restriction"
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"Mines and Miners"
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"Christus Nos Liberavit"
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"Hougomont"
637
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"Which Treats of the Manor of Entering a Convent"
635
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"The Catastrophe"
633
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"Jean Valjean"
630
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"Men Must Have Wine, and Horses Must Have Water"
630
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"The Lark"
629
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"Requiescant"
629
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"Four and Four"
628
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"Austerities"
627
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"The Lark's Meadow"
620
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"The Trap"
620
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"The Ray of Light in the Hovel"
614
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"The Water Question at Montfermeil"
612
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"Luc-Esprit"
612
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"A Tempest in a Skull"
612
38.
"The System of Denials"
611
39.
"The Year 1817"
608
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"Hindrances"
605
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"Res Angusta"
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"The Back Room of the Cafe Musain"
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"Billows and Shadows"
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"Result of the Success"
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"A Rose in Misery"
599
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"Taken Prisoner"
596
47.
"M. Myriel"
594
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"Master Gorbeau"
592
49.
"The Wisdom of Tholomyes"
590
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"Number 9,430 Reappears, and Cosette Wins it in the Lottery"
588
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"A Group which Barely Missed Becoming Historic"
587
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"To Scoff, To Reign"
587
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"Madeleine"
580
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"An Entrance by Favor"
580
55.
"The Substitute"
580
56.
"Between Four Planks"
579
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"Mother Innocente"
575
58.
"Effect of the Spring"
575
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"Little Gervais"
573
60.
"Quadrifrons"
573
61.
"Prayer"
567
62.
"One Should Always Begin by Arresting the Victims"
566
63.
"Prudence Counseled to Wisdom"
565
64.
"Some Petticoat"
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65.
"Tranquility"
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"What He Believed"
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67.
"A Recrudescence of Divine Right"
557
68.
"Ecce Paris, Ecce Homo"
555
69.
"The Old Soul of Gaul"
553
70.
"The Guard"
551
71.
"M. Mabeuf"
550
72.
"The Man Aroused"
550
73.
"Thenardier and His Manoeuvres"
550
74.
"Faith, Law"
550
75.
"Two Complete Portraits"
548
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"Javert Satisfied"
548
77.
"Father Fauchelevent"
548
78.
"Well Cut"
547
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"He is Agreeable"
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"Vague Flashes on the Horizon"
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"A Providential Peep-Hole"
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"Monseigneur Bienvenu Made his Cassocks Last Too Long"
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"Which Would Be Impossible With Gas Lanterns"
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"The Death of a Horse"
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"Strategy and Tactics"
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"The Plateau of Mont-Saint-Jean"
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"The Beginning of Repose"
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"Who Guarded His House for Him"
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"His Frontiers"
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"Divers Claps of Thunder fall on Ma'am Bougon"
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"Poverty a Good Neighbor for Misery"
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"The Unexpected"
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"Louis Philippe"
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"Enlargement of Horizon"
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"Fantine Happy"
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"Madame Victurnien's Success"
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"The Obedience of Martin Verga"
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"Sister Simplice"
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"The Lowest Depths"
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"Some of his Particular Characteristics"
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"End of the Petit-Picpus"
492
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"The Battle-Field at Night"
491
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"Precautions to be Observed in Blame"
490
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"Tholomyes is So Merry That He Sings a Spanish Ditty"
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"Madame Victurnien Expends Thirty Francs on Morality"
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"Is Waterloo to be Considered Good?"
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"The Enigma Becomes Doubly Mysterious"
488
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"Jondrette Makes His Purchases"
487
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"A Five-Franc Piece Falls on the Ground and Produces a Tumult"
487
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"The Utility of Going to Mass, In Order to Become a Revolutionist"
486
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"The Evening of a Day of Walking"
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"Authority Reasserts Its Rights"
486
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"On What Conditions One Can Respect the Past"
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"Marius Indigent"
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"Forms Assumed By Suffering During Sleep"
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"One of the Red Spectres of That Epoch"
483
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"The Absolute Goodness of Prayer"
482
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"The Use Made of Marius' Five-Franc Piece"
481
205.
"Two Do Not Make a Pair"
481
206.
"A Centenarian Aspirant"
481
207.
"A Hard Bishopric for a Good Bishop"
481
208.
"He Who Seeks to Better Himself May Render His Situation Worse"
480
209.
"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"
480
210.
"A Bit of History"
480
211.
"Entrance on the Scene of a Doll"
480
212.
"A Bad Guide to Napoleon; A Good Guide to Bulow"
479
213.
"The Solution of Some Questions Connected with the Municipal Police"
479
214.
"Jondrette Comes Near Weeping"
476
215.
"He May Be of Use"
476
216.
"The Use Made of M. LeBlanc's Five-Franc Piece"
473
217.
"Beginning of a Great Malady"
472
218.
"Some Silhouettes of This Darkness"
471
219.
"Continuation of the Enigma"
470
220.
"Details Concerning the Cheese-Dairies of Pontarlier"
470
221.
"In What Mirror M. Madeleine Contemplates His Hair"
468
222.
"Marius' Two Chairs From a Vis-a-Vis"
467
223.
"The Zigzags of Strategy"
466
224.
"A Nest for Owl and a Warbler"
463
225.
"Like Master, Like House"
462
226.
"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"
462
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"It is Lucky that the Pont D'Austerlitz Bears Carriages"
461
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"Blondeau's Funeral Oration by Bossuet"
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"The Convent as an Abstract Idea"
460
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"Number 62 Rue Petit-Picpus"
458
231.
"Adventures of the Letter U Delivered Over to Conjectures"
456
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