Zaloguj się

Victor Hugo - "Like Master, Like House" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 18: The Great Bourgeois
Zobacz teledysk
+ Powiększ

Tekst piosenki

He lived in the Marais, Rue des Filles-du-Calvaire, No. 6. He owned the house. This house has since been demolished and rebuilt, and the number has probably been changed in those revolutions of numeration which the streets of Paris undergo. He occupied an ancient and vast apartment on the first floor, between street and gardens, furnished to the very ceilings with great Gobelins and Beauvais tapestries representing pastoral scenes; the subjects of the ceilings and the panels were repeated in miniature on the arm-chairs. He enveloped his bed in a vast, nine-leaved screen of Coromandel lacquer. Long, full curtains hung from the windows, and formed great, broken folds that were very magnificent. The garden situated immediately under his windows was attached to that one of them which formed the angle, by means of a staircase twelve or fifteen steps long, which the old gentleman ascended and descended with great agility. In addition to a library adjoining his chamber, he had a boudoir of which he thought a great deal, a gallant and elegant retreat, with magnificent hangings of straw, with a pattern of flowers and fleurs-de-lys made on the galleys of Louis XIV. and ordered of his convicts by M. de Vivonne for his mistress. M. Gillenormand had inherited it from a grim maternal great-aunt, who had died a centenarian. He had had two wives. His manners were something between those of the courtier, which he had never been, and the lawyer, which he might have been. He was gay, and caressing when he had a mind. In his youth he had been one of those men who are always deceived by their wives and never by their mistresses, because they are, at the same time, the most sullen of husbands and the most charming of lovers in existence. He was a connoisseur of painting. He had in his chamber a marvellous portrait of no one knows whom, painted by Jordaens, executed with great dashes of the brush, with millions of details, in a confused and hap-hazard manner. M. Gillenormand's attire was not the habit of Louis XIV. nor yet that of Louis XVI.; it was that of the Incroyables of the Directory. He had thought himself young up to that period and had followed the fashions. His coat was of light-weight cloth with voluminous revers, a long swallow-tail and large steel buttons. With this he wore knee-breeches and buckle shoes. He always thrust his hands into his fobs. He said authoritatively: "The French Revolution is a heap of blackguards."

Tłumaczenie piosenki

Nikt nie dodał jeszcze tłumaczenia do tej piosenki. Bądź pierwszy!
Jeśli znasz język na tyle, aby móc swobodnie przetłumaczyć ten tekst, zrób to i dołóż swoją cegiełkę do opisu tej piosenki. Po sprawdzeniu tłumaczenia przez naszych redaktorów, dodamy je jako oficjalne tłumaczenie utworu!

+ Dodaj tłumaczenie

Wyślij Niestety coś poszło nie tak, spróbuj później. Treść tłumaczenia musi być wypełniona.
Dziękujemy za wysłanie tłumaczenia.
Nasi najlepsi redaktorzy przejrzą jego treść, gdy tylko będzie to możliwe. Status swojego tłumaczenia możesz obserwować na stronie swojego profilu.

Interpretacja piosenki

Dziękujemy za wysłanie interpretacji
Nasi najlepsi redaktorzy przejrzą jej treść, gdy tylko będzie to możliwe.
Status swojej interpretacji możesz obserwować na stronie swojego profilu.
Dodaj interpretację
Jeśli wiesz o czym śpiewa wykonawca, potrafisz czytać "między wierszami" i znasz historię tego utworu, możesz dodać interpretację tekstu. Po sprawdzeniu przez naszych redaktorów, dodamy ją jako oficjalną interpretację utworu!

Wyślij Niestety coś poszło nie tak, spróbuj później. Treść interpretacji musi być wypełniona.

Lub dodaj całkowicie nową interpretację - dodaj interpretację
Wyślij Niestety coś poszło nie tak, spróbuj później. Treść poprawki musi być wypełniona. Dziękujemy za wysłanie poprawki.
Najpopularniejsze od Victor Hugo
"Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster"
1,3k
{{ like_int }}
"Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster"
Victor Hugo
"In Which the Reader Will Peruse Two Verses, Which are of the Devil's Composition, Possibly"
950
{{ like_int }}
"In Which the Reader Will Peruse Two Verses, Which are of the Devil's Composition, Possibly"
Victor Hugo
"Little Gavroche"
818
{{ like_int }}
"Little Gavroche"
Victor Hugo
"Post Corda Lapides"
751
{{ like_int }}
"Post Corda Lapides"
Victor Hugo
"To Wit, The Plan of Paris in 1727"
749
{{ like_int }}
"To Wit, The Plan of Paris in 1727"
Victor Hugo
Komentarze
Dodaj komentarz
{{ comment.time }}
{{ comment.author }}
Utwory na albumie Les Misérables
1.
"Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster"
1,3k
2.
"In Which the Reader Will Peruse Two Verses, Which are of the Devil's Composition, Possibly"
950
3.
"Little Gavroche"
818
4.
"Post Corda Lapides"
751
5.
"To Wit, The Plan of Paris in 1727"
749
6.
"Lux Facta Est"
747
7.
"The Quid Obscurum of Battles"
728
8.
"The Unpleasantness of Receiving Into One's House A Poor Man Who May Be a Rich Man"
718
9.
"Cambronne"
706
10.
"In Which Will be Found the Words to an English Air Which was in Fashion in 1832"
685
11.
"Treasure Trove"
679
12.
"Parvulus"
666
13.
"Quot Libra in Duce"
664
14.
"Apparition to Father Mabeuf"
661
15.
"At Bombarda's"
657
16.
"New Troubles"
654
17.
"Marius Grown Up"
640
18.
"Cosette Side by Side With the Stranger in the Dark"
636
19.
"Christus Nos Liberavit"
632
20.
"Hougomont"
631
21.
"Mines and Miners"
628
22.
"A Restriction"
627
23.
"Which Treats of the Manor of Entering a Convent"
625
24.
"The Little Convent"
625
25.
"The Catastrophe"
624
26.
"Men Must Have Wine, and Horses Must Have Water"
620
27.
"The Lark"
620
28.
"Austerities"
618
29.
"Requiescant"
616
30.
"Jean Valjean"
614
31.
"Four and Four"
614
32.
"The Trap"
608
33.
"The Lark's Meadow"
607
34.
"The Water Question at Montfermeil"
603
35.
"A Tempest in a Skull"
603
36.
"Luc-Esprit"
601
37.
"The Year 1817"
599
38.
"The Ray of Light in the Hovel"
599
39.
"The System of Denials"
599
40.
"Hindrances"
593
41.
"Res Angusta"
593
42.
"The Back Room of the Cafe Musain"
592
43.
"Result of the Success"
590
44.
"Master Gorbeau"
586
45.
"M. Myriel"
583
46.
"A Rose in Misery"
583
47.
"Taken Prisoner"
582
48.
"Billows and Shadows"
582
49.
"The Wisdom of Tholomyes"
578
50.
"A Group which Barely Missed Becoming Historic"
576
51.
"Madeleine"
571
52.
"An Entrance by Favor"
570
53.
"The Substitute"
570
54.
"To Scoff, To Reign"
569
55.
"Little Gervais"
568
56.
"Number 9,430 Reappears, and Cosette Wins it in the Lottery"
568
57.
"Between Four Planks"
565
58.
"Mother Innocente"
564
59.
"Quadrifrons"
562
60.
"One Should Always Begin by Arresting the Victims"
560
61.
"Prayer"
557
62.
"Some Petticoat"
552
63.
"Prudence Counseled to Wisdom"
549
64.
"What He Believed"
547
65.
"Ecce Paris, Ecce Homo"
546
66.
"Tranquility"
544
67.
"A Recrudescence of Divine Right"
542
68.
"M. Mabeuf"
541
69.
"The Guard"
539
70.
"Thenardier and His Manoeuvres"
539
71.
"Well Cut"
538
72.
"Javert Satisfied"
538
73.
"He is Agreeable"
538
74.
"The Man Aroused"
537
75.
"Father Fauchelevent"
537
76.
"Two Complete Portraits"
536
77.
"Faith, Law"
536
78.
"A Providential Peep-Hole"
535
79.
"Which Would Be Impossible With Gas Lanterns"
534
80.
"The Old Soul of Gaul"
534
81.
"Monseigneur Bienvenu Made his Cassocks Last Too Long"
531
82.
"Vague Flashes on the Horizon"
530
83.
"His Frontiers"
529
84.
"Which Possibly Proves Boulatruelle's Intelligence"
528
85.
"The Death of a Horse"
527
86.
"Effect of the Spring"
527
87.
"The Plateau of Mont-Saint-Jean"
526
88.
"Strategy and Tactics"
526
89.
"Divers Claps of Thunder fall on Ma'am Bougon"
525
90.
"The Beginning of Repose"
524
91.
"Who Guarded His House for Him"
524
92.
"A"
524
93.
"It is Not Necessary to be Drunk to be Immortal"
523
94.
"Marius' Astonishments"
522
95.
"Poverty a Good Neighbor for Misery"
522
96.
"The Unexpected"
521
97.
"Louis Philippe"
521
98.
"M. Bamatabois's Inactivity"
521
99.
"Enlargement of Horizon"
521
100.
"A Merry End to Mirth"
519
101.
"Fantine Happy"
519
102.
"The Heroism of Passive Obedience"
518
103.
"The Gropings of Flight"
517
104.
"The Interior of Despair"
517
105.
"A Double Quartette"
516
106.
"A Suitable Tomb"
516
107.
"The Last Square"
516
108.
"M. Madeleine in Mourning"
515
109.
"What He Thought"
514
110.
"What He Does"
514
111.
"Marius Poor"
513
112.
"Cloistered"
513
113.
"Which Explains How Javert Got on the Scent"
512
114.
"Fauchelevent in the Presence of a Difficulty"
512
115.
"The Sobriquet: Mode of Formation of Family Names"
512
116.
"M. Myriel Becomes M. Welcome"
511
117.
"Distractions"
511
118.
"Eclipse"
511
119.
"The Perspicacity of Master Scaufflaire"
511
120.
"How Jean May Become Champ"
510
121.
"Napoleon in a Good Humor"
510
122.
"Gayeties"
510
123.
"Two Misfortunes Make One Piece of Good Fortune"
509
124.
"Basque and Nicolette"
509
125.
"Composition of the Troupe"
509
126.
"The Gamin Should Have his Place in the Classifications of India"
507
127.
"The Little One All Alone"
507
128.
"Number 24,601 Becomes Number 9,430"
506
129.
"Badly Sewed"
505
130.
"In Which the Reader Will Find a Charming Saying of the Last King"
504
131.
"A Successful Interrogatory"
504
132.
"Babet, Gueulemer, Claquesous, and Monparnasse"
504
133.
"Ninety Years and Thirty-Two Teeth"
504
134.
"End of the Brigand"
504
135.
"The Future Latent in the People"
503
136.
"The History of A Progress in Black Glass Trinkets"
503
137.
"The Remarks of the Principal Tenant"
503
138.
"The Convent as an Historical Fact"
501
139.
"A Place Where Convictions are in Process of Formation"
501
140.
"Origin of the Perpetual Adoration"
500
141.
"Rule: Receive No One Except in the Evening"
500
142.
"Sister Simplice Put to the Proof"
500
143.
"Fauchelevent Becomes a Gardener in Paris"
499
144.
"What is Met With on the Way from Nivelles"
498
145.
"Marble Against Granite"
497
146.
"Facts Whence History Springs and Which History Ignores"
497
147.
"The Emperor Puts a Question to the Guide Lacoste"
496
148.
"Champmathieu More and More Astonished"
496
149.
"The Bishop in the Presence of an Unknown Light"
495
150.
"In Which Will be Found the Origin of the Saying: Don't Lose the Card"
495
151.
"Madame Victurnien's Success"
495
152.
"Sums Deposited With Laffitte"
495
153.
"The Convent From the Point of View of Principles"
494
154.
"A Century Under a Guimpe"
494
155.
"An Ancient Salon"
493
156.
"Cravatte"
493
157.
"Philosophy After Drinking"
493
158.
"The Man With the Bell"
493
159.
"The Veterans Themselves Can Be Happy"
492
160.
"One Mother Meets Another Mother"
492
161.
"The Traveller on His Arrival Takes Precautions for Departure"
491
162.
"In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo"
491
163.
"The Solitude of Monseigneur Welcome"
491
164.
"Works Corresponding to Words"
490
165.
"The Obedience of Martin Verga"
489
166.
"Sister Simplice"
489
167.
"First Sketch of Two Unpreposessing Figures"
489
168.
"The Brother as Depicted by the Sister"
488
169.
"In Which Magnon and Her Two Children are Seen"
488
170.
"The Wild Man in his Lair"
487
171.
"A Chapter In Which They Adore Each Other"
487
172.
"Occupying One's Self with Obscure Depths"
487
173.
"Enjolras and his Lieutenants"
486
174.
"The Bishop Works"
486
175.
"Four O'Clock in the Afternoon"
486
176.
"The Beginning of an Enigma"
485
177.
"Tariff of Licensed Cabs: Two Francs an Hour"
484
178.
"The Consequences of Having Met a Warden"
483
179.
"An Apparition to Marius"
483
180.
"Offers of Service from Misery to Wretchedness"
482
181.
"Precautions to be Observed in Blame"
482
182.
"Cracks Beneath the Foundation"
481
183.
"The Little One Who Was Crying in Volume Two"
481
184.
"The Eighteenth of June, 1815"
480
185.
"Embryonic Formation of Crimes in the Incubation of Prisons"
480
186.
"The Lowest Depths"
480
187.
"The Battle-Field at Night"
479
188.
"Tholomyes is So Merry That He Sings a Spanish Ditty"
479
189.
"A Five-Franc Piece Falls on the Ground and Produces a Tumult"
479
190.
"Marius Indigent"
479
191.
"Jondrette Makes His Purchases"
478
192.
"Madame Victurnien Expends Thirty Francs on Morality"
478
193.
"The Enigma Becomes Doubly Mysterious"
477
194.
"Authority Reasserts Its Rights"
476
195.
"Some of his Particular Characteristics"
476
196.
"Is Waterloo to be Considered Good?"
475
197.
"One of the Red Spectres of That Epoch"
475
198.
"On What Conditions One Can Respect the Past"
474
199.
"The Absolute Goodness of Prayer"
473
200.
"The Utility of Going to Mass, In Order to Become a Revolutionist"
473
201.
"End of the Petit-Picpus"
473
202.
"Forms Assumed By Suffering During Sleep"
473
203.
"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"
472
204.
"The Evening of a Day of Walking"
472
205.
"A Centenarian Aspirant"
472
206.
"The Use Made of Marius' Five-Franc Piece"
470
207.
"Two Do Not Make a Pair"
470
208.
"A Hard Bishopric for a Good Bishop"
470
209.
"A Bit of History"
469
210.
"The Solution of Some Questions Connected with the Municipal Police"
469
211.
"A Bad Guide to Napoleon; A Good Guide to Bulow"
468
212.
"Jondrette Comes Near Weeping"
467
213.
"Entrance on the Scene of a Doll"
467
214.
"He Who Seeks to Better Himself May Render His Situation Worse"
465
215.
"He May Be of Use"
465
216.
"The Use Made of M. LeBlanc's Five-Franc Piece"
463
217.
"Beginning of a Great Malady"
463
218.
"Continuation of the Enigma"
461
219.
"Some Silhouettes of This Darkness"
461
220.
"In What Mirror M. Madeleine Contemplates His Hair"
457
221.
"The Zigzags of Strategy"
456
222.
"Marius' Two Chairs From a Vis-a-Vis"
456
223.
"It is Lucky that the Pont D'Austerlitz Bears Carriages"
453
224.
"Blondeau's Funeral Oration by Bossuet"
453
225.
"Details Concerning the Cheese-Dairies of Pontarlier"
453
226.
"The Convent as an Abstract Idea"
452
227.
"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"
452
228.
"Like Master, Like House"
451
229.
"Adventures of the Letter U Delivered Over to Conjectures"
449
230.
"A Nest for Owl and a Warbler"
449
231.
"Number 62 Rue Petit-Picpus"
449
Polecane przez Groove
Amore Mio
3,8k
{{ like_int }}
Amore Mio
Boski Heniek
Wynalazek Filipa Golarza
712
{{ like_int }}
Wynalazek Filipa Golarza
Sobel
Futurama 3 (fanserwis)
782
{{ like_int }}
Futurama 3 (fanserwis)
Quebonafide
APT.
17,3k
{{ like_int }}
APT.
Bruno Mars
Dolce Vita
2,1k
{{ like_int }}
Dolce Vita
Kizo
Popularne teksty
Siedem
53,6k
{{ like_int }}
Siedem
Team X
34+35
45,3k
{{ like_int }}
34+35
Ariana Grande
Love Not War (The Tampa Beat)
26,5k
{{ like_int }}
Love Not War (The Tampa Beat)
Jason Derulo
SEKSOHOLIK
180,5k
{{ like_int }}
SEKSOHOLIK
Żabson
Snowman
81,5k
{{ like_int }}
Snowman
Sia