Walt Whitman - Our Old Feuillage [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Walt Whitman
Album: Leaves of Grass
Gatunek: Poetry

Tekst piosenki

Always our old feuillage!
Always Florida's green peninsula—always the priceless delta of
        Louisiana—always the cotton-fields of Alabama and Texas,
Always California's golden hills and hollows, and the silver
        mountains of New Mexico—always soft-breath'd Cuba,
Always the vast slope drain'd by the Southern sea, inseparable with
        the slopes drain'd by the Eastern and Western seas,
The area the eighty-third year of these States, the three and a half
        millions of square miles,
The eighteen thousand miles of sea-coast and bay-coast on the main,
        the thirty thousand miles of river navigation,
The seven millions of distinct families and the same number of dwellings—
        always these, and more, branching forth into numberless branches,
Always the free range and diversity—always the continent of Democracy;
Always the prairies, pastures, forests, vast cities, travelers,
        Kanada, the snows;
Always these compact lands tied at the hips with the belt stringing
        the huge oval lakes;
Always the West with strong native persons, the increasing density there,
        the habitans, friendly, threatening, ironical, scorning invaders;
All sights, South, North, East—all deeds, promiscuously done at all times,
All characters, movements, growths, a few noticed, myriads unnoticed,
Through Mannahatta's streets I walking, these things gathering,
On interior rivers by night in the glare of pine knots, steamboats
        wooding up,
Sunlight by day on the valley of the Susquehanna, and on the valleys
of the Potomac and Rappahannock, and the valleys of the Roanoke
        and Delaware,
In their northerly wilds beasts of prey haunting the Adirondacks the
        hills, or lapping the Saginaw waters to drink,
In a lonesome inlet a sheldrake lost from the flock, sitting on the
        water rocking silently,
In farmers' barns oxen in the stable, their harvest labor done, they
        rest standing, they are too tired,
Afar on arctic ice the she-walrus lying drowsily while her cubs play around,
The hawk sailing where men have not yet sail'd, the farthest polar
        sea, ripply, crystalline, open, beyond the floes,
White drift spooning ahead where the ship in the tempest dashes,
On solid land what is done in cities as the bells strike midnight together,
In primitive woods the sounds there also sounding, the howl of the
        wolf, the scream of the panther, and the hoarse bellow of the elk,
In winter beneath the hard blue ice of Moosehead lake, in summer
        visible through the clear waters, the great trout swimming,
In lower latitudes in warmer air in the Carolinas the large black
        buzzard floating slowly high beyond the tree tops,
Below, the red cedar festoon'd with tylandria, the pines and
        cypresses growing out of the white sand that spreads far and flat,
Rude boats descending the big Pedee, climbing plants, parasites with
        color'd flowers and berries enveloping huge trees,
The waving drapery on the live-oak trailing long and low,
        noiselessly waved by the wind,
The camp of Georgia wagoners just after dark, the supper-fires and
the cooking and eating by whites and negroes,
Thirty or forty great wagons, the mules, cattle, horses, feeding
from troughs,
The shadows, gleams, up under the leaves of the old sycamore-trees,
        the flames with the black smoke from the pitch-pine curling and rising;
Southern fishermen fishing, the sounds and inlets of North
        Carolina's coast, the         shad-fishery and the herring-fishery, the
        large sweep-seines, the windlasses on shore work'd by horses, the
        clearing, curing, and packing-houses;
Deep in the forest in piney woods turpentine dropping from the
        incisions in the trees, there are the turpentine works,
There are the negroes at work in good health, the ground in all
        directions is cover'd with pine straw;
In Tennessee and Kentucky slaves busy in the coalings, at the forge,
        by the furnace-blaze, or at the corn-shucking,
In Virginia, the planter's son returning after a long absence,
        joyfully welcom'd and kiss'd by the aged mulatto nurse,
On rivers boatmen safely moor'd at nightfall in their boats under
        shelter of high banks,
Some of the younger men dance to the sound of the banjo or fiddle,
        others sit on the gunwale smoking and talking;
Late in the afternoon the mocking-bird, the American mimic, singing
        in the Great Dismal Swamp,
There are the greenish waters, the resinous odor, the plenteous
        moss, the cypress-tree, and the juniper-tree;
Northward, young men of Mannahatta, the target company from an
        excursion returning home at evening, the musket-muzzles all
        bear bunches of flowers presented by women;
Children at play, or on his father's lap a young boy fallen asleep,
        (how his lips move! how he smiles in his sleep!)
The scout riding on horseback over the plains west of the
        Mississippi, he ascends a knoll and sweeps his eyes around;
California life, the miner, bearded, dress'd in his rude costume,
        the stanch California friendship, the sweet air, the graves one
        in passing meets solitary just aside the horse-path;
Down in Texas the cotton-field, the negro-cabins, drivers driving
        mules or oxen before rude carts, cotton bales piled on banks
        and wharves;
Encircling all, vast-darting up and wide, the American Soul, with
        equal hemispheres, one Love, one Dilation or Pride;
In arriere the peace-talk with the Iroquois the aborigines, the
        calumet, the pipe of good-will, arbitration, and indorsement,
The sachem blowing the smoke first toward the sun and then toward
        the earth,
The drama of the scalp-dance enacted with painted faces and guttural
        exclamations,
The setting out of the war-party, the long and stealthy march,
The single file, the swinging hatchets, the surprise and slaughter
        of enemies;
All the acts, scenes, ways, persons, attitudes of these States,
        reminiscences, institutions,
All these States compact, every square mile of these States without
        excepting a particle;
Me pleas'd, rambling in lanes and country fields, Paumanok's fields,
Observing the spiral flight of two little yellow butterflies
        shuffling between each other, ascending high in the air,
The darting swallow, the destroyer of insects, the fall traveler
        southward but returning northward early in the spring,
The country boy at the close of the day driving the herd of cows and
        shouting to them as they loiter to browse by the roadside,
The city wharf, Boston, Philadelphia, Baltimore, Charleston, New
        Orleans, San Francisco,
The departing ships when the sailors heave at the capstan;
Evening—me in my room—the setting sun,
The setting summer sun shining in my open window, showing the
        swarm of flies, suspended, balancing in the air in the centre
        of the room, darting athwart, up and down, casting swift
        shadows in specks on the opposite wall where the shine is;
The athletic American matron speaking in public to crowds of listeners,
Males, females, immigrants, combinations, the copiousness, the
        individuality of the States, each for itself—the moneymakers,
Factories, machinery, the mechanical forces, the windlass, lever,
        pulley, all certainties,
The certainty of space, increase, freedom, futurity,
In space the sporades, the scatter'd islands, the stars—on the firm
        earth, the lands, my lands,
O lands! all so dear to me—what you are, (whatever it is,) I putting it
        at random in these songs, become a part of that, whatever it is,
Southward there, I screaming, with wings slow flapping, with the
        myriads of gulls wintering along the coasts of Florida,
Otherways there atwixt the banks of the Arkansaw, the Rio Grande,
        the Nueces, the Brazos, the Tombigbee, the Red River, the
        Saskatchawan or the Osage, I with the spring waters laughing
        and skipping and running,
Northward, on the sands, on some shallow bay of Paumanok, I with
        parties of snowy herons wading in the wet to seek worms and
        aquatic plants,
Retreating, triumphantly twittering, the king-bird, from piercing
        the crow with its bill, for amusement—and I triumphantly twittering,
The migrating flock of wild geese alighting in autumn to refresh
        themselves, the body of the flock feed, the sentinels outside
        move around with erect heads watching, and are from time to time
        reliev'd by other sentinels—and I feeding and taking turns
        with the rest,
In Kanadian forests the moose, large as an ox, corner'd by hunters,
        rising desperately on his hind-feet, and plunging with his
        fore-feet, the hoofs as sharp as knives—and I, plunging at the
        hunters, corner'd and desperate,
In the Mannahatta, streets, piers, shipping, store-houses, and the
        countless workmen working in the shops,
And I too of the Mannahatta, singing thereof—and no less in myself
        than the whole of the Mannahatta in itself,
Singing the song of These, my ever-united lands—my body no more
        inevitably united, part to part, and made out of a thousand
        diverse contributions one identity, any more than my lands
        are inevitably united and made ONE IDENTITY;
Nativities, climates, the grass of the great pastoral Plains,
Cities, labors, death, animals, products, war, good and evil—these me,
These affording, in all their particulars, the old feuillage to me
        and to America, how can I do less than pass the clew of the union
        of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you
        also be eligible as I am?
How can I but as here chanting, invite you for yourself to collect
        bouquets of the incomparable feuillage of these States?

Tłumaczenie piosenki

Nikt nie dodał jeszcze tłumaczenia do tej piosenki. Bądź pierwszy!
Jeśli znasz język na tyle, aby móc swobodnie przetłumaczyć ten tekst, zrób to i dołóż swoją cegiełkę do opisu tej piosenki. Po sprawdzeniu tłumaczenia przez naszych redaktorów, dodamy je jako oficjalne tłumaczenie utworu!

+ Dodaj tłumaczenie

Wyślij Niestety coś poszło nie tak, spróbuj później. Treść tłumaczenia musi być wypełniona.
Dziękujemy za wysłanie tłumaczenia.
Nasi najlepsi redaktorzy przejrzą jego treść, gdy tylko będzie to możliwe. Status swojego tłumaczenia możesz obserwować na stronie swojego profilu.

Interpretacja piosenki

Dziękujemy za wysłanie interpretacji
Nasi najlepsi redaktorzy przejrzą jej treść, gdy tylko będzie to możliwe.
Status swojej interpretacji możesz obserwować na stronie swojego profilu.
Dodaj interpretację
Jeśli wiesz o czym śpiewa wykonawca, potrafisz czytać "między wierszami" i znasz historię tego utworu, możesz dodać interpretację tekstu. Po sprawdzeniu przez naszych redaktorów, dodamy ją jako oficjalną interpretację utworu!

Wyślij Niestety coś poszło nie tak, spróbuj później. Treść interpretacji musi być wypełniona.

Lub dodaj całkowicie nową interpretację - dodaj interpretację
Wyślij Niestety coś poszło nie tak, spróbuj później. Treść poprawki musi być wypełniona. Dziękujemy za wysłanie poprawki.
Najpopularniejsze od Walt Whitman
I Sing the Body Electric
1,8k
{{ like_int }}
I Sing the Body Electric
Walt Whitman
O Me! O Life!
1,5k
{{ like_int }}
O Me! O Life!
Walt Whitman
Song of the Open Road
1,4k
{{ like_int }}
Song of the Open Road
Walt Whitman
Leaves of Grass (Continuities)
990
{{ like_int }}
Leaves of Grass (Continuities)
Walt Whitman
Leaves of Grass (So Long! )
831
{{ like_int }}
Leaves of Grass (So Long! )
Walt Whitman
Komentarze
Utwory na albumie Leaves of Grass
2.
1,5k
10.
777
14.
714
19.
678
24.
656
25.
654
29.
636
33.
628
35.
627
43.
617
44.
616
45.
616
46.
614
47.
612
49.
609
53.
604
55.
603
58.
601
61.
598
62.
598
64.
597
73.
593
74.
593
80.
587
89.
577
94.
575
95.
574
98.
573
101.
572
102.
572
103.
571
106.
570
109.
567
110.
564
111.
562
112.
562
113.
561
114.
561
120.
560
128.
556
135.
554
136.
554
141.
553
143.
552
148.
550
153.
549
161.
547
164.
546
167.
546
170.
545
172.
545
175.
544
177.
544
178.
544
179.
544
182.
543
187.
542
196.
540
201.
539
204.
538
217.
535
220.
534
224.
534
228.
533
230.
533
232.
532
233.
532
245.
530
247.
530
250.
529
252.
529
255.
529
256.
528
257.
528
260.
528
263.
527
264.
526
274.
523
276.
523
277.
522
281.
521
287.
519
294.
517
296.
516
299.
516
300.
516
302.
515
316.
509
317.
509
319.
509
324.
508
333.
504
335.
504
336.
503
340.
502
343.
501
345.
499
346.
498
354.
495
357.
494
359.
493
362.
490
363.
488
364.
488
368.
475
371.
464
374.
458
375.
449
378.
442
Polecane przez Groove
São Paulo
348
{{ like_int }}
São Paulo
The Weeknd
Wynalazek Filipa Golarza
88
{{ like_int }}
Wynalazek Filipa Golarza
Sobel
APT.
9,6k
{{ like_int }}
APT.
Bruno Mars
JABŁONIE
270
{{ like_int }}
JABŁONIE
Cleo (PL)
Dolce Vita
1,7k
{{ like_int }}
Dolce Vita
Kizo
Popularne teksty
Siedem
53,5k
{{ like_int }}
Siedem
Team X
34+35
45,1k
{{ like_int }}
Love Not War (The Tampa Beat)
26,4k
{{ like_int }}
Love Not War (The Tampa Beat)
Jason Derulo
SEKSOHOLIK
179,7k
{{ like_int }}
SEKSOHOLIK
Żabson
Snowman
79,1k
{{ like_int }}
Snowman
Sia